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Diana Krall - Quiet Nights (2009) [Jazz Vocals][320 kbps][h33t][schon55]

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Diana Krall - Quiet Nights

Label  Verve 

Orig Year  2009 

Bitrate: 320 kbps



Diana Krall's first studio outing since she and husband Elvis Costello became the proud parents of twin boys, 2009's
QUIET NIGHTS finds the jazz singer/pianist turning in a serene and pleasantly subdued set. Krall breezes through a few
bossa nova standards, most notably "The Girl from Ipanema" ( here gender-reversed to "The Boy..." )
and the title track ( originally "Corcovado" ), both penned by the legendary Antonio Carlos Jobim.  QUIET
NIGHTS isn't solely a Brazilian-themed outing, however, as Krall also spends plenty of time in the comfortable realm of
the Great American Songbook, offering up elegant orchestral renditions of "I've Grown Accustomed to His Face"
and the Bacharach/David gem "Walk On By" that benefit from her supremely smoky vocals and graceful delivery. ~
CD Universe



Album review 

Diana Krall's albums should come with a warning label: Do not use while operating heavy machinery. 



This is not a knock: Krall's round, relaxed voice is a nuanced instrument ideally suited for, as this album's title
indicates, quiet nights.  With this collection delving exclusively into the worlds of classic ballads and bossa nova,
the singer is in an even quieter place than usual. 



Which is a bit of a shame.  There's nothing terribly wrong with Krall's breathy take on Antonio Carlos Jobim with a
faithfully bouncy “The Boy From Ipanema" and “Quiet Nights"; the songs glide by with such an
evenhanded subtlety it's almost subliminal. The only mild frustration is, other than Krall's tackling of the
Portuguese-language “Este Seu Olhar" from Jo?o Gilberto, there isn't really anything new or unexpected here.




Burt Bacharach's “Walk On By" gets a slightly sassy knock from Krall's vocal turn, but any seductive kick she
could have offered gets lost among the soft-focused string arrangements that shadow the whole album. 



Still, Krall is in fine voice throughout, and her delicate piano work gets time to shine as well, notably on the bossa
nova standard “So Nice." While fans looking for a classic, none- too-jarring soundtrack for a romantic
evening surely will follow this record happily into their good night, Krall has offered us more than that in the past. ~
All About Jazz Publicity



Some music is intended to paint a romantic scene – a candlelit dinner, a walk along a moonlit beach. Quiet Nights
– Diana Krall’s twelfth album – ain’t about that. Using Brazil as a musical point of reference,
the award-winning pianist and singer is not suggesting a night out; she means to stay in.



“It's not coy. It's not ‘peel me a grape,’ little girl stuff. I feel this album’s very womanly
– like you're lying next to your lover in bed whispering this in their ear.”



She’s not kidding. From Krall’s refreshing version of “Where or When,” to an utterly
soul-stilling rendition of “You’re My Thrill,” the ten songs on Quiet Nights are disarming in their
intimacy. Even those already familiar with the breathy vocals and rhythmic lilt in Krall’s music – and now
there are millions – will be taken aback by just how far the music pushes, unabashedly, into the realm of sweet
surrender. “It’s a sensual, downright erotic record and it's intended to be that way.”



Krall is the first to credit the musical team she assembled – her loyal quartet, ace producer Tommy LiPuma,
engineer Al Schmitt plus legendary arranger Claus Ogerman – for much of the seductive power on Quiet Nights. But
there’s a deeper, palpable sense of maturity that she brought to the recording as well. “Most of my singing
and playing on the album is really just first or second takes. ‘You're My Thrill,’ was a second take –
“Too Marvelous,” first take.”



“She’s completely matured,” says Tommy LiPuma, who should know, having first worked with Krall in
1994. “Even in the past few years. She approaches her vocal phrasing much more like an instrumentalist than a
straight singer. It’s in her reading of the lyrics, and the timbre of her voice, much more misty like Peggy Lee in
her mature period.” ( “I didn't want to over sing -- I was drawing also from Julie London very strongly on
this album,” Krall confesses, noting that such influences are not always conscious on her part. “It just
came out that way.” ) ~  Arlene Garcia 



Personnel:

Larry Corbett

Sid Page

Bruce Dukov

Josefina Vergara

Matt Funes - viola

Katia Popov

Reggie Hamilton

Tereza Stanislav - violin

Mario De Leon

Cecilia Tsan

Darius Campo

Drew Dembowski

Earle Dumler - oboe

Steve Kujala

Evan Wilson

Joel Pargman

Sue Ranney

Kate Reddish

Tammy Hatwan

Amy Wickman

Brad Warnaar - French horn

Ed Meares - bass guitar

Peter Kent

Liane Mautner

Steve Richards

Nico Abondolo

Dan Smith

Trevor Handy

Rick Todd

Thomas Diener

David Walther

Razdan Kuyumjian

Vickie Miskolczy

Vanessa Freebairn-Smith - cello

Caroline Campbell

Rudy Stein

Tiffany Yi Hu

Dan Neufeld

Heather Clark - alto flute, bass flute

Joseph Meyer

Doug Tornquist - tuba

Eun Mee Ahn

Charles Bisharat

David Shostac

Geri Rotella

Janet Lakatos

Mari Tsumura

Yue Deng

Antony Cooke

Barbra Porter

Bill Lane

David Ewart

Gil Romero

Helen Nightengale

Robert Zimmiti - vibraphone

Timothy Landauer

Todd Marda



Diana Krall - Quiet Nights Tracks:

01 Where Or When

02 Too Marvelous For Words

03 I've Grown Accustomed To His Face

04 The Boy From Ipanema

05 Walk On By

06 You're My Thrill

07 Este Seu Olhar

08 So Nice

09 Quiet Nights

10 Guess I'll Hang My Tears Out To Dry

11 How Can You Mend A Broken Heart

12 Everytime We Say Goodbye

Related torrents

Torrent Name	Added	Size	Seed	Leech	Health
Diana Krall - Quiet Nights (2009) AAC 320 kbps 438 hz	1 Year+ - in Music	121.67 MB	0	1
Diana Krall Quiet Nights 2009 [FLAC]	1 Year+ - in Other	365.71 MB	0	1
Diana Krall - Quiet Nights (2009) FLAC	1 Year+ - in Music	1.03 GB	0	0
Diana Krall - Quiet Nights (2009)	1 Year+ - in Music	325.67 MB	0	0
Diana Krall - Quiet Nights [2009]	1 Year+ - in Music	128.05 MB	0	0

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